I really like horror. And there are twisted memories that I have from all three," remembers Rob Foote, looking back at the shared visual effect which can be sensed from Diablo to Diablo II into Diablo III. "I recall that first encounter with the Butcher, and being excruciating whilst playing with it. I remember the pursuit in Diablo II. And in Diablo III, when you help the farmer and move inside to meet his wife and she"s only a skeleton in a rocking chair."

But being gory, gothic, and dark is only 1 part of the equation; its raw immediacy and the Diablo experience is what kept players coming back. "Somehow, we struck a sweet spot in which even though matters were dark and bad, you felt like a superhero," says Erich Schaefer. This facet of the series has played an important part and still informs every choice the Diablo III staff in Blizzard makes.

"Being able to achieve crazy and new heights of character growth, and getting all sorts of things that enhance your powers in ways that you can"t even envision. ""``All combat is with critters, there aren"t any enemies in Diablo. This is something which I think is an significant part Diablo, that there isn"t any gray line of morality running through it" - Julian Love.

"This is something which I believe is an significant part Diablo, that there"s no grey field of morality running through it" A strange by-product of this gothic setting that makes a more inviting setting than say, a game with fewer demons or largely human enemies. "We, as a staff, go to extra lengths to attempt to be certain that once you see a thing which needs to be circulated, there immediately is not any question in your mind concerning the main reason . You"re not murdering people, you"re killing creatures."


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